P.JOHNS©
The
City Council has built a new park in Melbourne, one that shrugs
off nineteenth century preoccupations and shoulders some newer ones.
This city is
built homesickness. Its older northern parks stamp green union jacks
onto the Hoddle Grid. The strip of parks south of the river sculpt
undulating english landscapes out of the swamp. The new Birrarung
Marr connects and completes the series, if it can be argued that
this is in fact a park.
On a leftover,
scalene-shaped site, Birrarung Marr abuts the Exhibition Street
extension and the reduced rail yards. The Yarra River's curve forms
the conservative southern edge of the park. A line of Dutch Elms
remains so that from the river the view is pretty much undisturbed.
A wide band of granitic stone follows this edge of the park. This
dirtstone is a nice change from the usual grass and path solution,
but on the down side it makes the area difficult to use for anything
other than walking or petanque.
A steel prow
juts out of the river bank marking the park's centre, as if some
old wreck had been unearthed and left. It's similar to the curved
steel wall at the Yarra turning basin opposite the casino (Urban
Design Unit/DCM 1995). This new wall is less exciting. It is tall,
a monochromatic grey, and awaiting graffiti.
The park's
centre is a big dirt parade ground. It seems bare and purposeless
(unless Melbourne were to hold the world petanque championships).
Birrarung is stated to be an 'event' park on the Federation Square
website, betraying its Kennett Government origins. This means that
the park will only be in its intended state when it is inhabited
by an event with attendant crowd. The rest of the time (ie most
of the time) the park is empty, waiting... but at least accessible.
Detailing
in this park is highly refined, befitting its proximity to a design-fussed
central city. No off-the-shelf treated pine here. Street furniture
and bridgeways are fine assemblies of galvanised steel and odourous
oiled hardwood.
A modern eye
has pieced together ensembles of materials quite alien to typical
Melbourne parks, and a welcome relief. An avenue of soft broken
shell is flanked on one side by a band of small river stones then
a steep fern bank. On the other side is a formal line of gums and
a low wall formed from large broken stones. It is a pity to see
this avenue shoot off in an untravelled direction. For its variety
of materials helps to balance the shortfall elsewhere.
This
is a park for marching in, not a garden for meandering in. Paths
lead in straight lines off in all directions. At the park's centre
is a constructivist collision of all the paths and bridges. Linear
built form dominates. Hills here are noticeably "built".
The one elevated field is flat on top with a steep drop off at the
squared-off perimeter. Nature obeys formal geometries.
A pillared
footbridge of almost violent linearity spears and slices at the
park, literally glowing red, before plowing into the ground. This
is an exclamatory bridge, if there can be such a thing. It joins
quite happily with DCM's gesturing blade architecture.
That park
word is confusing expectations of how birrarung marr should be guaged.
If Birrarung Marr is an event field or pedestrian way,
then it succeeds very well. If this place had numberplates, they
would read "Victoria : On The Move" rather than "Victoria
: Garden State."
Peter Johns
©
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